The longer of the two workshop films, because carving is slow. A ring of form on the floor, a relief cut into material that has to stay wet, and then the last stage — water, ladders and cloth, taking two steel pieces down to a mirror finish.
Filmed by
Gigi
Featuring
The workshop floor
Two pairs of hands around a ring of form, on the floor of the workshop.Film — SYN
Four clips, and the first two are the same kind of work: material being taken away by hand. The first is a ring, on the floor, with two people working around it.
A ring of form on the floor, worked from both sides.Film — SYN
The second is a relief cut into a wall of wet clay. The spray bottle in the frame is part of the work: the surface has to stay workable while the tool is in it. The round window is what lights the top of the frame.
A relief cut into a wall of wet clay, with the round window up in the corner.Film — SYN
The last two clips are the other end of the work. Two people on ladders take a tall steel piece down with water and cloth; a metre away the same operation is happening on a form big enough to walk around. Steel keeps every mark it is given, which is why this stage is done last, by hand, and slowly.
Two on ladders, wet-polishing the tall piece.Film — SYN
The last clip is the same operation up close: a cloth, a hand, and a surface that shows the whole room back while it is being worked.
The last polish, close enough to see the room in the surface.Film — SYN